BOOK SIGNING FOLLOW-UPS.
I conducted my last two book signings of the year at: Hastings, Books Music
and Videos, Spokane Valley, WA, Saturday, Nov. 16th and Barnes & Noble Booksellers, Spokane Valley, WA, Saturday 23rd.
THE STORE MISPLACED COPIES OF MY BOOK THEY
This is how I started out my book signing of THE SIGN OF THE EAGLE
@ Hastings Books, Music & Videos, Spokane Valley, Washington, Saturday, Nov. 16th. Fortunately, never trusting that any
store will have my books in stock, I brought 20 copies with me and nearly sold them all. If that was not enough, their restrooms
were out of order most of the day, and I had to use the facilities at the hardware store next door when necessary. All wasn't
lost as I still did well and met lots of good people in the process. I had already signed at this store twice, so I was surprised
I sold so many books. It helped that I was a local author (live here in the Valley) and that was enough for several folks
to buy my book. The coming of Christmas helped as three people bought copies as gifts.
of the mishaps, I want to Book manager, Mary, and associate, Omar, for their assistance and support. As one associate said,
I did an "awesome" job selling so many books.
New Reader Rachel at Hastings
SELL-OUT AT BARNES & NOBLE
Saturday, Nov. 23rd, I held
my last book signing event @ Barnes & Noble, Spokane Valley, Washington, for the year. It was a cold (30 degrees F), but
sunny day and the store was crowded. I met lots of great people, and ultimately I sold all copies on hand of my historical
novel, THE SIGN OF THE EAGLE.
About mid-way through the signing, one of the associates
approached me and said, "We want you to return next spring for another signing. You are the only author we have even
seen, who greets and talks to everyone entering our store, you are fabulous! And when your next novel is published we want
you to return for another signing for that book and this one (The Sign of the Eagle), too." I didn't know whether to
be flattered or embarrassed by her compliments, but I certainly will return. It also helped that I am a local author.
I want to thank store manager, Leslie, and especially, asst. manager, Khrissie, for
assisting in making this a successful book event.
New Reader Megan at B&N
THE WOLF OF BRITANNIA (ONGOING PROJECT)
I have been very busy the last several weeks in the ongoing rewrite of my next historical
novel, The Wolf of Britannia. I am now rewriting chapter 34, the last chapter in part
I of this duo-ology. This will take a little more time than I had expected because it requires me to add a brand new scene,
necessary for the continuity of the story. As I have explained in earlier blogs, this is a story about the British Celtic
King, Caratacus, who fought the Romans when they invaded Britannia in 43 A.D. Part I deals with his rise to power in Southern
Britannia and Part II deals with the Roman invasion. At the pace I am going, it will probably be late spring before I am finished
with the entire project. I can't rush this story, I want to make this the best novel possible. There are some writers who
measure the progress of their stories by how many words they write each day, e.g. 2,000. Personally, I believe in quality
rather than quantity. It is better to put down e.g. 500 words that moves your story forward in a smooth, logical and seemless
manner than 2,000 words of needless verbosity, which you wind up editing later.
Wolf of Brittania
I was interviewed by Author Maria Grace, who writes Jane-Austen style novels, on her blog site, Random
Bits of Fascination.
Jess Steven Hughes Interview
Join me in welcoming Jess Steven Hughes this morning.
is such a challenging endeavor. What got you started on it and what keeps you going? What did you do with your earliest efforts?
Did anyone read them? Do you still have them?
I had always wanted to write,
but it wasn’t until I was in my early 40′s that I started. At the time, I was a police detective sergeant on the
Long Beach Police Department in California (I am now retired). I was interested in writing short non-fiction articles on the
history of the London Metropolitan Police Department and the police of Ancient Rome. I submitted several articles to various
magazines (primarily those in law-enforcement) for publication, but they were all rejected. Instead, I published them in local
police newsletters throughout Southern California. The response was very positive. However, I realized this was just the beginning.
I kept the articles on the police of Ancient Rome and have used some of the material
when I wrote my historical, The Sign of the Eagle, which was subsequently published by Sunbury Press.
What made you choose to write in the genre/periods you write in?
I was not satisfied with writing non-fiction. Several factors lead to that realization. First, understand
that my major in College was Public Administration, but my minor and academic first love was Ancient Mediterranean History─I
have traveled extensively throughout the Mediterranean World. I received my Master in the above at the University of Southern
California. I asked my Classical History Professor, Dr. David Hood, what were the requirements to teach Classical History?
He answered in order to teach you had to have a Doctorate in Classical History, but you also had to be proficient (read and
write) in six foreign languages. These included: French, German, Greek, Italian, Latin and Spanish. I had taken only Greek,
Latin and Spanish. Since I was working full-time as a police detective sergeant, I decided that I should seriously consider
writing historical fiction instead, which was my favorite genre.
However, this turned
into a long and arduous process with several detours (I took several creative writing classes) along the way. It was during
the last fifteen years, after my wife and I moved from California to Spokane Valley, Washington, that I really hunkered down
and learned to write fiction well. I joined the Spokane Novelist Group which has been around for more than fifty years. The
members have kept me honest and although their critique was constructive, it was also very tough, they did not pull any punches
as to my errors. As a result, I re-drafted The Sign of the Eagle as least twelve times before they were satisfied with the
results. Even then I received more than 200 rejections from agents and publishers before a small traditional publisher, Sunbury
Press, accept it for publisher (they had over 1,000 submissions last year, mine was only one of 70 they accepted).
What do you enjoy the most in the writing process? What parts of it do you really dislike?
The writing allows me to express myself with greater openness which I might otherwise
find difficult to express orally. I can write about the Classical Period with greater leeway than many other historical periods.
This allows me to be more creative and imaginative to the events of the time. I say this because although much data and information
has survived from the ancients, there is still more that we don’t know. There are many gaps in the historical timeline.
I use this to my advantage when writing my stories. For example, I am currently writing an historical, The Wolf of Britannia,
which is about the British Celtic King, Caratacus, who fought the Romans when they invaded Britannia in 43 A.D. I wrote a
letter to the now late Dr. Graham Webster at the University of Manchester for information on Caratacus. He was considered
the foremost historian of Roman Britain, and I had read several of his books. He graciously replied in a very timely manner
and said that since we really know so little about Caratacus that I could write almost anything I wanted and it may well be
true. I have taken him at his word, but at the same time trying to create a very logical and plausible story.
What I really dislike are the numerous writers blocks that I encounter. I know that most of these
are the result of trying to organize my story into a realistic and logical sequence of events and developing strong scenes
Historical fiction takes a lot of research. What
is the most memorable or interesting thing you’ve learn along the way?
For me it
is visiting the sites and walking through the areas or streets which I am able to use in my stories. The sense of being there
is so important to me. For example when I visited Pompeii, I marveled at how well preserved the city was, being previously
engulfed by the volcanic ash from Mt. Vesuvius. It was like being in a time warp. I could almost feel the spirits of the city.
As a result many of the descriptions in my novel, although the settings are Rome and Milan, are actually based on Pompeii.
Then again what we know about living conditions in Ancient Rome comes mainly from the remains of Pompeii.
On the other hand, if you cannot afford to visit the sites that you use as settings in your stories,
then you should try to find the best books with the best descriptions available for your story. As an example for the novel,
I am currently working on, The Wolf of Britannia, I have used several editions of the Automobile Club of Britain to familiarize
myself with the countryside. I was also fortunate enough to find an out of print copy of a book which describes the flora
and fauna of Ancient Britain─this was a godsend.
you do to keep all your research information and plot ideas organized and accessible?
keep my research and idea notes in several notebooks, pads and three-ringed binders which I have labeled. I find them more
accessible than trying to add them online.
What’s the best piece
of writing advice you’ve ever gotten?
You must develop self-discipline and persistence.
Be true to your writing and NEVER give up!
Tell us a little about your
I am currently re-writing my second historical, The Wolf of Britannia
(I explained above who he was). The story begins years before the Roman invasion of Britannia (43 A.D.) when he was a young
man and follows him as he attempts to unite the Southern British tribes (there were 30 in Britannia), to defend the country
against the Romans, and the subsequent capture of himself and family. In this story we see his daughter, Macha, the protagonist
of The Sign of the Eagle, as a little girl from ages of 5 to 7.
up next for you?
Once I am finished with Wolf I will continue the work on another
historical, which I am also writing, The Broken Lance. This is an epic novel set in the Roman Empire, primarily Britannia
and Rome between 45 – 69 A.D. The story starts during the invasion of Britannia and ends with the culmination of the
great civil war of 69 A.D. known as the Year of Four Emperors. We see this all through the eyes of Marcellus, as Spanish Centurion
in the Roman Army. He is the retainer for the historical character, Titus Flavius Sabinus, brother of the future Emperor,
Vespasian. It is a saga of love, hate, political intrigue and murder taking you to the inner-workings of the Imperial Palace
and the mean streets of Rome.
I am currently reading chapters to the Spokane
Novelist Group. So far I have read the first 30 and the members have nearly all said this is my best novel to date.
That is about all for now. In the next blog, I will include a new installment of Maintaining the Public Safety of Ancient Rome.
then, Salve et Vale! Hale and Farewell!